24 October 2026–7 February 2027
Jørgen Dobloug (1945–2018) is regarded as one of the most important voices in Norwegian contemporary art. He developed a distinctive artistic expression in which painting, humour and irony converge.
As one of few artists of his generation, he combined international movements such as Minimal Art, Color Field painting and expressive painting with a personal and playful visual language. This connection between Nordic art and the international avant-garde gives his work a unique position in the Nordic region.
Dobloug studied at the Staatliche Kunstakademie Düsseldorf as the only Norwegian master student under Joseph Beuys, and also worked as an assistant to Gerhard Richter. No other Nordic artist was as closely connected to the vibrant German avant-garde scene of the 1970s as Dobloug. This artistic milieu challenged established ideals of art and placed the creative individual at the centre.
His paintings range from geometric-abstract compositions to playful and grotesque head motifs, executed with rough, gestural brushwork. Moving between figuration and abstraction, Dobloug both explores and comments on painting as a form of expression.
Dobloug had close ties to Lillehammer. His family owned Doblouggården at Storgata 42, and he is considered—after the Lillehammer painters and Jakob Weidemann—the most important artist with a strong connection to the town.
The exhibition is a collaboration between Lillehammer Art Museum and the Dobloug Estate in Germany.